A remake of this much-lauded classic must have seemed like a foolhardy exercise. Romero, reworking his original script, had admitted that it was a purely financial endeavour – having made very little from the original due to bad distribution deals and as a result of the film inadvertently slipping into the public domain. Here Romero could do nothing as his film surfaced again and again, shoddily presented and edited. Then finally, the ultimate insult, colorized – a term that is unworthy of being anglicised. Given the circumstances, it was quite understandable why Romero wanted to reassert himself on the genre he created and on the film that started it all.